March 29th : Indira Valey / A Stick And A Stone / Oka Amnesia / Blessed Blood


goatposterDoors open at 8

$5-15 suggested to support the performers and space.



INDIRA VALEY (Pdx) is a queer Latina multi-disciplinary performance artist and avant-garde musician. She channels powerful songs that reverberate with the voices of her ancestors and speak directly to modern audiences. Her ancient-sounding, resonant voice is a force of nature, and she utilizes a unique palette of instruments (flugelhorn, timpani, kalimba, bike wheel, and electric guitar) with effects pedals to create mesmerizing and memorable live performances that are ever-changing due to her spontaneous improvisational magic.

A STICK AND A STONE (Philly / OR Woods) crafts haunting, minimalist, choral-ridden song-spells on electric bass laced with improvised strings, ambient field recordings, and poetic imagery. Led by an openly trans and disabled vocalist-composer, A Stick And A Stone is devoted to shedding light on the unseen and unheard. A Stick And A Stone uses music to converse with nonhuman life forms, fallen friends, and mysterious forces with reverent inquiries into surviving and restoring our fractured world. A Stick And A Stone has been found touring across this continent for the past 11 sun cycles.

OKA AMNESIA (Amnesia Anhedonia) is a performer and videographer based in Seattle and Chicago. Their work is informed by diasporic Rroma and indigenous Quileute ancestry, in dialogue with Queer genealogies, and in process with experiences of crisis and catharsis as a consensual sex worker and survivor of pre-verbal trauma. Their artwork is a vessel for liminal spaces of communion.

BLESSED BLOOD is an electronics-based project by Seattle’s Rachel LeBlanc. Utilizing hardware effects to expand upon the natural resonances of singing, she processes harmonies into ecstatic hymns, wherein ethereal vocals glide above pulsations and sharp angles. The sound is informed by the artist’s life-long home of the PNW, traditional music forms and choral assemblies, and the exploration of history both personal and cultural, resulting in what is at once familiar and unsettling.

How Everyone Can Help Make This Event More Accessible:

– For people with MCS, you can help reduce symptoms by avoiding wearing scents, especially chemical perfumes, as much as possible, and by smoking as far away from the entrance as possible.
– For people with difficulty standing, you can reserve seats and sitting areas for those who might need them
– For people with EMFS, you can help reduce symptoms by keeping phones on airplane mode as much as possible, and/or go outside to use phone.
– For people with severe peanut allergies, you can help by not eating peanuts during the event.
~ Accessibility is Love ~

More Accessibility info:

– Mobility: Gallery 1412 is wheelchair accessible. There are no steps except to the back patio. There is one gender-neutral bathroom which has a small corridor that can be tricky for a wheelchair to get through but it is possible.
– Sensory: The back patio is available as a quiet space, though has several small steps to get down. We will not be using bright florescent overhead lights.
– We want to make this event as accessible as possible for everyone. If you have any questions or requests for accommodations, please contact:
Thank you!

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