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November 8th – Jim Haynes and friends

farallons-01An Evening of Music :

Doors at 8 music shortly after
5 to 15 suggested donation.

featuring 3 events :

jim haynes
bloom offering
leash

Jim Haynes

https://www.helenscarsdale.com/haynes/sound.htm

Describing his work through the pithy phrase, “I rust things”, Jim Haynes (b. 1972) is a California based artist who has developed a vocabulary of decay that he has applied to photography, sculpture, installation, and sound. He has exhibited internationally at institutions such as The Exploratorium (San Francisco), WestSpace (Melbourne, Australia), Jack Straw Productions (Seattle), Eyedrum (Atlanta), Diapson (New York), and The Lab (San Francisco).

Bloom Offering :

bloom offering is the synth-wave / blighted electronic project of seattle’s nicole carr.

https://bloom-offering.bandcamp.com/
https://bloom-offering.bandcamp.com/

Leash :

https://leashsounds.bandcamp.com/
https://leashsounds.bandcamp.com/

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photograph by Jim Haynes

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October 19th : Hearts and Minds – James Falzone

purple

 

An evening of music :

doors at 8 music shortly after
5 – 15 suggested donation (none turned away )

Featuring: 2 events –

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‘Hearts and Minds’ (chicago) -Jason Stein- bass clarinet, Paul Giallorenzo- synthesizer/electric piano, Chad Taylor- drums.

https://handmchicago.bandcamp.com/album/electroradiance

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James Falzone – clarinets / possibly objects

http://allosmusica.org/
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June 27th

June 27th
5-15 suggested donation
doors at 8pm music shortly after .
Wizard Apprentice (OAK)
Brin (PDX)
Pink Void (SEA)
Josh Medina (SEA)
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STATUS QUO IS MY ENEMY : June 15

STATUS QUO IS MY ENEMY
Saturday, June 15, 2019
8pm / $5-15
Gallery 1412 (1412 18th Ave, Seattle)
 
Marshall R. Trammell (percussion) w/ Jason M. McGill (alto saxophone). Trammell, the veteran music-research activist/archivist perhaps best know within Seattle for his group Black Spirituals (Sige Records), is currently on tour with his current project, Status Quo Is My Enemy. He will be joined by McGill to continue a natural dialog that began between the two musicians 25 years ago in San Francisco, performing Trammell’s improvisational form “Simultaneous Multi-Dimensionality — Duo Vernacular.”  https://www.musicresearchstrategies.info
Sheridan Riley is based in Seattle, but is most often found touring the world far and wide behind a variety of drum kits, perpetually in demand by a number of bands like Canada’s Alvvays. She’ll stay in town just long enough to share this solo work she’s been developing and deepening as of late, most recently at the Ballard Jazz Festival. http://www.sheridanriley.com
CSTMR is otherwise known as Casey Adams (drums) and Tom Scully (guitar), two of Seattle’s most enthusiastic improvised thrash providers. Check out their blistering recently released Live at Susquatch 4 at https://cstmr.bandcamp.com
No individual, group, or family will be spurned on account of an inability to meet this event’s suggested donation. Thank you.

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June 6th

Image may contain: sky, skyscraper and outdoor

An evening of music and happenings

doors at 8
music soon after

5-15 suggested donation

no one turned away

V. Vecker (vancouver) + Dave Abramson
Duo set
https://vveckermusic.bandcamp.com/

below a link of dave with Wilson Shook and Greg Kelley

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CSTMR.
Casey Adams and Tom Scully
local undocumented improvisors

(excerpt below from a collaborative effort )
https://miller-adams-scullytrio.bandcamp.com/album/mayday-at-the-substation

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Kirill Pol + Joel Bean

Improvised violin and piano duo

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Intermission music and events by the community band
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A bee
staggers out
of the peony.

-Basho

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May 4th

No photo description available.

 

$5-15 sliding scale
All ages

Join us at Gallery 1412 for an eclectic bill of solo electronic sound performances, featuring visiting artist J Hamilton Isaacs (Denver), who produces meticulously detailed modular compositions that traverse the gap between neo-kosmische and truly zonked wiggery. Norm Chambers is a stalwart veteran of Seattle’s electronic music scene whose many projects and aliases (Panabrite, Jürgen Müller) serve as both a primer in the history of sound synthesis and a herald of movements to come. Jamondria Harris’ (Portland) work ranges from throbbing dark ambient constellations to buzzing organic polyrhythms. Sebastian Camens’ para-sentient algorithmic constructions render audible the synthetic logic of their unfolding.

J Hamilton Isaacs (formerly dugoutcanoe) has been active in the American experimental underground since 2005. Using a modular synthesizer to etch out cacophonic meta-musical collage, meditative drones, and phase music, his work focuses on the relationship between the instinctual pretense in listening and transcendental experience.

Emerging from a love of early electronics, concrete/tape music, soundtracks, and early new age, Norm Chambers creates worlds of sound that touch on many elements and moods, from spatially motivated ambient to aspects of minimalist composition and improvisation. Chambers utilizes an array of synthesizer equipment to achieve his sounds, in addition to field sounds and occasional acoustic elements.

Jamondria Harris is an interdisciplinary artist living in Portland, OR. They use words, sounds, wires, instruments, textiles, & what falls into their hands to engage with blackness, desire, spirit/source, decolonization, fairy tales, & body horror. They are a VONA Workshop Fellow and an artist-in-residence at S1, among other things. Their book of poetry and art, quaerere, is available from Magic Helicopter Press and their music can be found at https://meroitic.bandcamp.com/ and https://soundcloud.com/meroitic.

Sebastian Camens is a Dutch/Australian artist and designer based in Seattle. His sound leans into an oxymoronic minimal maximalism, utilizing stochastic processes to construct brutal patterns of sound, inflating into the entire frequency range. Camens’ work often transforms sound into near-tangible objects, with implied physical properties of weight and texture.

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3×1·1×3: Sean Hamilton / James Falzone / Neil Welch

 

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Sean Hamilton, Neil Welch, and James Falzone will present three solo sets and a trio set Friday, May 10 at 8pm at Gallery 1412.

 

5-15 suggested donation

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Sean Hamilton is a percussionist, composer, improviser, and audio engineer whose interests primarily lie in the intersections of new music, electroacoustic music, free improvisation, experimental music, and interdisciplinary projects. Sean has presented performances throughout North America and in Europe, with featured performances including WKCR-FM New York’s Afternoon New Music, the Interference Series, the Red Room Series, the Anxious Sound Series, the SEAMUS National Conference, and those given while serving as an artist-in-residence with Leeds Improvised Music and Experimentation (LIME) in the United Kingdom. He has also presented lectures on improvisation and composition at various universities in the US and United Kingdom, including the University of Arizona, New York University, the University of South Carolina, Goldsmiths University of London, and the University of Leeds. Sean is regular collaborator with artists of varying disciplines, and has previously collaborated with artists including VERB Ballets, New Orleans Airlift, Lindsey Kelley Dance, Tatsuya Nakatani, Death Posture, and Eli Blasko. (www.seanhamiltonmusic.com)

Saxophonist and composer Neil Welch is recognized as a major voice of the Seattle jazz and experimental music fields. His work is derived from improvisation, using largely non-traditional techniques that explore sonic resonance. With a strong connection to place, he performs and documents audio recordings prolifically within the urban and rural landscapes of the Pacific Northwest and beyond. Neil embraces a variety of resonant musical styles, with work spanning avant-garde jazz, modern composition, solo saxophone, North Indian classical music, and electronic sound processing. His playing unabashedly confronts the acoustical limits of the instrument. Downbeat Magazine called Neil “an impassioned tenor player” and All About Jazz calls his work “stunning and extraordinary.” Neil is dedicated to expanding the saxophone’s role in modern improvisation and composition.

Clarinetist, composer, and improviser JAMES FALZONE is an acclaimed member of the international jazz and creative music scenes, a veteran contemporary music lecturer and clinician, and an award-winning composer who has been commissioned by chamber ensembles, dance companies, choirs, and symphony orchestras around the globe.Educated at Northern Illinois University and New England Conservatory, James is also a respected educator and scholar and has been on the faculty of The School of the Art Institute of Chicago, Deep Springs College, North Central College, and was a fellow at The Center for Black Music Research. At present James is the Chair of Music at Cornish College of the Arts in Seattle, Washington. Learn more about James Falzone and his work at his website: www.allosmusica.org

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